Robbie Dupree - Steal Away (1980)





"Steal Away" is a song by American singer Robbie Dupree, from his 1980 debut album Robbie Dupree. Released as the first single from the album, it became his biggest hit, peaking at #6 on the U.S. Billboard Hot 100 and #5 on the Adult Contemporary charts.

In March and April 2009, VH1 ran its countdown for the 100 Greatest One-Hit Wonders of the 80s. "Steal Away" was placed at #64, but he had a second hit with "Hot Rod Hearts" (#15).

The song was released by Dupree in 1980. It immediately charted in the top 20, becoming a big hit during the summer of 1980 and became the driving force on his debut album. The lyrics suggest a romantic meeting between two lovers. Dupree skillfully asks that they "steal away... into the night", knowing that it is wrong yet irresistible. The imperative nature of the action, existential yet at the same time purely driven by immediate sense-perception, is the thrust of the chorus. The song's keyboard arrangement is notably similar to that of The Doobie Brothers' 1979 song "What a Fool Believes".
Listen to»

Special of the day: Etta James - Security (1968)

Special of the day: Etta James - Security (1968)





"Security" is a song written by Ottis Redding and Margaret Wessen and performed by Etta James, from the album Tell Mama: The Complete Muscle Shoals Sessions.

As the Album title suggests, this is the definitive edition of Etta James' Tell Mama long-player. For this single-disc release the original album is augmented with five previously unissued tracks -- documented during James' four Muscle Shoals sessions circa '67-'68. The question of why a rural Alabama town became a conduit for some of the most memorable and instantly identifiable grooves may still be up for debate. The evidence exists in droves and Tell Mama could certainly be considered exhibit A. These sessions feature the same impact that would redirect several first ladies of soul. Notable among them are Dusty Springfield's Dusty in Memphis, Aretha Franklin's I Never Loved a Man (The Way I Love You) and to somewhat lesser acclaim, Jackie DeShannon's Jackie. Tell Mama showcases some of the unique and admittedly darker qualities of what might best be described as R&B noir. "I'd Rather Go Blind," "Steal Away," "I'm Gonna Take What He's Got" all exemplify the essence of the blues -- making the best of a bad situation. The flipside of the sombre subject matter is the satisfying conviction in the music -- which is where the remastering becomes particularly noticeable.
Listen to»

Village People - Y.M.C.A (1978)

Village People - Y.M.C.A (1978)





Y.M.C.A. is a hit song recorded by American disco group Village People. It was released in 1978 as the only single from the album Cruisin'. The song reached No. 2 on the U.S. charts in early 1979 and reached No. 1 in the UK around the same time, becoming the group's biggest hit. It is one of fewer than forty singles to have sold 10 million (or more) physical copies worldwide. A medley with "Hot Cop" reached number 2 on Billboard's Dance Music/Club Play Singles chart.

The song remains popular and is played at many sporting events in the U.S. and Europe, with crowds using the dance in which the arms are used to spell out the four letters of the song's title as an opportunity to stretch. Moreover, the song also remains particularly popular due to its status as a disco classic and gay anthem, even among listeners who are otherwise uninvolved in disco or gay culture. "Y.M.C.A." appeared as Space Shuttle Wakeup call on mission STS-106, on day 11.

In 2009, "Y.M.C.A." was entered into the Guinness World Book of Records when over 44,000 people danced to the song with Village People singing live at the 2008 Sun Bowl game in El Paso, Texas. "Y.M.C.A." is number 7 on VH1's list of The 100 Greatest Dance Songs of the 20th Century.
Listen to»

Melissa Manchester - Don't Cry Out Loud (1979)

Melissa Manchester - Don't Cry Out Loud (1979) on WLCY Radio




"Don't Cry Out Loud" is a song written in 1976 by Peter Allen with lyricist Carole Bayer Sager that is best known as a hit single for Melissa Manchester in the US and for Elkie Brooks in the UK.

Melissa Manchester recorded "Don't Cry Out Loud" at the strong suggestion of Arista Records president Clive Davis, who felt that Manchester's intended 1979 album release lacked a potential Top 40 comeback hit. Davis assigned production of the track to Harry Maslin, who had co-produced the David Bowie albums Young Americans and Station to Station but whose most recent production work had been with Arista bubblegum act Bay City Rollers. Although Manchester herself regularly collaborated with lyricist Carole Bayer Sager - their output including Manchester's sole (to that point) Top Ten hit "Midnight Blue" - Harry Maslin would recall that Manchester "hated the song 'Don't Cry Out Loud' and was angry with me for doing it [i.e. producing Manchester's recording]"; "I think that's why I got such a wonderful vocal out of her". Recorded at Allen Zentz Studios Hollywood, "Don't Cry Out Loud" was released 11 October 1978 and did indeed reach the Top 40 at the end of 1978 rising to a number 10 peak on the Billboard Hot 100 twenty weeks later in March 1979. The single also reached number 9 on the Adult Contemporary chart, and thanks to its long chart life on the Hot 100, was ranked as Billboard′s 26th biggest hit of 1979, ranking ahead of a number of songs that reached higher peaks on the weekly surveys (including Sister Sledge's "We Are Family" and the Bee Gees' number-one hit "Love You Inside Out").

In 2004 Manchester would say of "Don't Cry Out Loud": "I finally understand what it meant ... I originally thought it was a brilliant song but it seemed like the antithesis of everything Carole Bayer Sager and I were writing which was always about self-affirmation and crying out and sharpening your communication skills. But it's a beautifully crafted song that was all about how in the end you just have to learn to cope - and that's no easy thing."

This version has been lip-synced to comic effect; once in Drop Dead Gorgeous, a 1999 dark comedy, and more recently in a May 2013 episode of Late Night with Jimmy Fallon, as part of a "Lip-Sync Off" with John Krasinski.

It was also featured lip synced in the BBC comedy Beautiful People.

Features of This Track

easy listening qualities
a prominent rhythm piano part
use of a string ensemble
acoustic sonority
major key tonality
melodic songwriting
an emotional female lead vocal performance
brass instrument solos
acoustic rhythm guitars
political lyrics
sad lyrics
Listen to»

Gerry Rafferty - Right Down The Line (1978)

Gerry Rafferty - Right Down The Line (1978) on WLCY Radio





"Right Down the Line" is a song by Guerry Rafferty from the 1978 album "City To City. "Right Down the Line" reached number 12 on the Billboard Hot 100, peaked for two weeks at number eight on the Cash Box Top 100, and spent four non-consecutive weeks at number one on the Easy Listening chart in the U.S. in 1978, the only Rafferty song to reach number one on this chart.

City to City is the second studio album by Scottish singer-songwriter Gerry Rafferty. It was Rafferty's first solo release in six years — and first release of any kind since 1975 — due to his tenure in the band Stealers Wheel and subsequent legal proceedings which prevented Rafferty from releasing any new solo recordings for the next three years. The album was strongly received, peaking at #1 in the US and going Platinum, as well as reaching #6 in the UK and achieving Gold status. "Baker Street", "Right Down the Line" and "Home and Dry" were successfully released as singles. "Baker Street" is widely regarded as Rafferty's signature song and by October 2010 had reached 5 million plays on British radio.
Listen to»

Peaches & Herb - Shake Your Groove Thing (1978)

Peaches & Herb - Shake Your Groove Thing (1978)




Shake Your Groove Thing is a song by disco duo Peaches & Herb. It reached No. 2 for four weeks on the Billboard Disco chart in 1978. The single reached No. 5 on the Billboard Hot 100 and No. 4 on the Billboard R&B Chart.

"Shake Your Groove Thing" has been featured prominently in many films such as An Extremely Goofy Movie, Monster, Shrek Forever After, The Adventures of Priscilla, Queen of the Desert, Connie and Carla, Marock, and The Country Bears, as well as in an advertisement campaign by Intel in the late 1990s.

It has also appeared in Grand Theft Auto: Episodes from Liberty City on the fictional radio station K109 The Studio.

In 1996, Filipino singer Regine Velasquez covered the song for her album Retro.

In 1997, Intel used this song in an advert for the Pentium MMX.

Alvin and the Chipmunks released two different cover versions. The first was with Drew Seeley for their 2008 album Undeniable which also appeared in the 2011 Alvin and the Chipmunks: Chipwrecked video game (without Drew's vocals). The second was with The Chipettes for the 2009 film Alvin and the Chipmunks: The Squeakquel and its soundtrack.
Listen to»

Smokey Robinson - Cruisin' (1979)

Smokey Robinson - Cruisin' (1979) on WLCY Radio




Cruisin' is a 1979 single written, produced, and recorded by Smokey Robinson for Motown Records' Tamla label. One of Robinson's most successful singles outside of his work with The Miracles, "Cruisin'" hit #1 on the Cash Box chart and was also a major Billboard Pop hit, peaking at #4. It was a Top Five hit on the Soul chart as well.

The song was co-written by fellow Miracle Marv Tarplin . "Cruisin'" was an even bigger hit in New Zealand, hitting #1 on that country's chart. It is included on Robinson's ninth studio album, Where There's Smoke....
Listen to»

Special of the day: Roy Orbinson - Only The Lonely (1960)

Special of the day: Roy Orbinson - Only The Lonely (1960)





"Only the Lonely (Know the Way I Feel)" is a 1960 song written by Roy Orbison and Joe Melson. Produced by Fred Foster for Monument Records it became the first major hit for Orbison. As an operatic rock ballad, it was a sound unheard of at the time except It's Now or Never by Elvis Presley, described by the New York Times as expressing "a clenched, driven urgency". It is seen as a seminal event in the evolution of Rock and Roll. Released as a 45rpm single by Monument Records in May 1960, "Only the Lonely" went to No. 2 on the United States Billboard pop music charts on 25 July 1960 (blocked by Brenda Lee's "I'm Sorry") & No. 14 on the Billboard R&B charts. "Only the Lonely" reached Number One in the United Kingdom, a position it achieved on 20 October 1960, staying there for two weeks (out of a total of 24 weeks spent on the UK singles chart from 28 July 1960). the personnel who were featured on the original recording included Orbison's session regulars Buddy Harman on drums, Floyd Cramer on piano and Bob Moore on bass with Hank Garland and Harold Bradley on guitar.

In 1999, "Only the Lonely" was honored with a Grammy Hall of Fame Award. In 2004, Rolling Stone ranked it No. 232 on their list of The 500 Greatest Songs of All Time.
Listen to»

Carly Simon - You're So Vain (1972)

Carly Simon - You're So Vain (1972)





"You're So Vain" is a song written and performed by Carly Simon and released in November 1972. The song is a critical profile of a self-absorbed lover; Simon asserts "You're so vain, you probably think this song is about you." The title subject's identity has long been a matter of speculation. The song is memorable for the clever self-reference, an example of metafiction.

The song is ranked at #82 on Billboard's Greatest Songs of All-Time. "You're So Vain" was voted #216 in RIAA's Songs of the Century. And on August 23, 2014, the U.K. Official Charts Company crowned it the ultimate song of the 1970s. It remains Simon's biggest hit and is considered her signature song.
Listen to»

Thelma Houston - Don’t Leave Me This Way (1977)

Thelma Houston - Don’t Leave Me This Way (1977)





"Don't Leave Me This Way" is a song written by Kenneth Gamble, Leon Huff and Cary Gilbert. First charting as a hit for Harold Melvin & the Blue Notes, an act on Gamble & Huff's Philadelphia International label in 1975, "Don't Leave Me This Way" was later a huge disco hit for Motown artist Thelma Houston in 1977. The song was a major hit for British group The Communards in 1986.

"Don't Leave Me This Way" was covered by Motown in 1976. Originally assigned to Diana Ross, it was intended to be the follow-up to her hit "Love Hangover" but was reassigned and given to the upcoming Motown artist Thelma Houston instead. Following the release of her third album Any Way You Like It, a Boston record pool unanimously reported positive audience response to "Don't Leave Me This Way" in discos, and the song was selected for release as a single. Houston's version became a massive international hit, topping the soul singles chart and, nine weeks later, the Hot 100 for one week in April 1977. The song peaked at #13 in the UK. The song went to number one on the disco chart. Later in the year, it was featured on the soundtrack of the movie, Looking for Mr. Goodbar. In 1978, "Don't Leave Me This Way" won the award for Best R&B Vocal Performance, Female at the 20th Annual Grammy Awards.
Listen to»

Neil Young - Heart of Gold (1972)

Neil Young - Heart of Gold (1972)




"Heart of Gold" is a song by Canadian singer-songwriter Neil Young. Released from the 1972 album Harvest, it is so far Young's only U.S. No. 1 single. In Canada, it reached No. 1 on the RPM national singles chart for the first time on April 8, 1972, on which date Young held the top spot on both the singles and albums charts. Billboard ranked it as the No. 17 song for 1972. In 2004, Rolling Stone ranked it No. 297 on their list of the 500 greatest songs of all time.

The song, which features backup vocals of James Taylor and Linda Ronstadt, is one of a series of soft acoustic pieces which were written partly as a result of a back injury. Unable to stand for long periods of time, Young could not play his electric guitar and so returned to his acoustic guitar, which he could play sitting down. He also played his harmonica during the three instrumental portions, including the Introduction to the song.

"Heart of Gold" was taped during the initial sessions for Harvest in early 1971 at Quadrafonic Sound Studios in Nashville, Tennessee. Ronstadt (who herself would later cover Young's song "Love is a Rose") and Taylor were in Nashville at the time for an appearance on Johnny Cash's television program, and the album's producer Elliot Mazer arranged for them to sing backup for Young in the studio.

Young played this song in 1971 solo shows before recording it. At first he played it on piano, starting with "A Man Needs a Maid" and then segueing into this song. An example of the segued version appears on Young's 2007 release Live at Massey Hall 1971. Midway through the tour--at least by the time of his BBC concert--he separated the two songs and played "Heart of Gold" on guitar and harmonica, much like it later appeared on record.
Listen to»