Showing posts with label The Supremes. Show all posts
Showing posts with label The Supremes. Show all posts

The Supremes - Where Did Our Love Go (1964) From The No. 1's Album

The Supremes - Where Did Our Love Go (1964) From The No. 1's Album
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.

Written and produced by Motown's main production team Holland–Dozier–Holland, "Where Did Our Love Go" was the first single by the Supremes to go to the number-one position on the Billboard Hot 100 pop singles chart in the United States, a position it held for two weeks, from August 16 to August 29, 1964. It was also the first of five Supremes songs in a row to reach number one (the others being "Baby Love", "Come See About Me", "Stop! In the Name of Love", and "Back in My Arms Again"). The song also reached number one on the Cash Box R&B singles chart.



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The Supremes' version is ranked #475 on Rolling Stone's 500 Greatest Songs of All Time and was selected for preservation in the National Recording Registry in 2016 due to its "cultural, historic, or artistic significance." Billboard named the song #4 on their list of 100 Greatest Girl Group Songs of All Time.

The Supremes - Come See About Me (1964)


"Come See About Me" is a 1964 song recorded by The Supremes for the Motown label.

The song became third of five consecutively released Supremes songs to top the Billboard pop singles chart in the United States (the others are "Where Did Our Love Go," "Baby Love," "Stop! In the Name of Love," and "Back in My Arms Again"). It topped the chart twice, non-consecutively; toppled by and later replacing The Beatles' "I Feel Fine" in December 1964 and January 1965.



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The Supremes - Stop! In the Name of Love - Special of the day

The Supremes - Stop! In the Name of Love on WLCY Radio


"Stop! In the Name of Love" was the fourth #1 hit for the Supremes in a row when it came out in early 1965. The choruses tended to be the main hooks of the songs Brian Holland, Lamont Dozier, and Eddie Holland wrote for the Supremes, and that might be even more true of "Stop! In the Name of Love" than it is of most of their other hits. 

"Stop! In the Name of Love" was a little different from the first triumvirate of Supremes chart-toppers ("Where Did Our Love Go," "Baby Love," and "Come See About Me") in that it was a little more dramatic and assertive. That was particular true of that oft-repeated chorus, which hit a minor key in which the Supremes declared the title phrase in semi-operatic tones. The message was softened a little by the second part of the chorus, in which the melody got gentler and the group cautioned, "think it over." The verses are less dramatic and strident than the famous chorus, but have a nice fetching strong melody, and a more conciliatory, vulnerable attitude toward romance than the message delivered by the song's title. It's also neat the way the verse and chorus both end with the mini-hook of the Supremes singing-warning "think it over." 

Listen, too, for the very beginning of the song, where a super-brief upwards organ slide pulls the track into gear like a crane lifting a car out of a swamp. While the first quintet of #1 Supremes hits in 1964-65 did tend to sound similar to each other, "Stop! In the Name of Love" is one of the stronger of the five, and made a further imprint on the public with the famous dance (with the Supremes making stop signs with their hands) the group devised when performing it on stage and TV.

The Supremes - Someday We'll Be Together

The Supremes - Someday We'll Be Together
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua and made popular as the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy."

The single topped the Billboard Hot 100 pop singles chart for one week. Reaching number-one on the American pop chart in the final 1969 issue of Billboard magazine (dated December 27), the single was not only the final number-one in 12 chart-topping pop hits for The Supremes, but it also holds the distinction of being the final American number-one hit of the 1960s.